He works with well-known brands like Adidas, and takes photos for magazines. Sprouse often photographs his famous co-stars. If you scroll through his Instagram, you’ll notice that most of his posts are accompanied by deep stories written by him. His photos revolve around fashion, landscapes, and atmospheres.

But he’s also a rising start in the photography world. post shared by Cole Sprouse on at 5:47pm PSTĬole Sprouse is often featured on magazine covers and photographed by the people on this list. And the lover knew higher consciousness, and because of them, so do we. From first hunger came thirst and from thirst came taste and from taste came self improvement. And then they stood, realizing exactly what they favored most, and so cultivated it within their own breast. And so the ancient drank until they knew all about those most valuable traits, soon learning which tasted sweetest. Soon a thirst for qualities like wit and wisdom, patience and fury, dignity and grace, came to the lover. Satisfied, flesh then lost its taste, and the ancient lover moved to an appreciation of something deeper, more abstract. That hunger drove the ancient to taste all of flesh's difference, variability in form and similarity in difference.

It started with the appreciation of form, an attraction to flesh and curve.

phil.It was an ancient that argued first: love was the purest path to higher consciousness. Hödicke, Alexandra Hopf, Leo von König, Astrid Köppe, Angelika Kroker, Käthe Kruse, Juliane Laitzsch, Lotte Laserstein, Ute Mahler, Jeanne Mammen, Anna Muthesius, Helmut Newton, Heinz Oestergaard, Jacqueline Ostermann, Ulrike Ottinger, Nicola Perscheid, Rico Puhlmann, Lilla von Puttkamer, Rolando Rasmussen, Raffael Rheinsberg, Frieda Riess, August Sander, Ursula Sax, Christian Schad, Rudolf Schlichter, Wiebke Siem, Franz Skarbina, Claudia Skoda, Eugen Spiro, Luis Steigleder, Herbert Tobias, Hann Trier, Umbo (Otto Umbehr), Dr. Gundlach, Gerd Hartung, Bertram Hasenauer, Raoul Hausmann, Richard Hildebrand, Jacob Hilsdorf, Reiner Hirsekorn, Hannah Höch, K.H. Karl Arnold, Martin Assig, Marta Astfalck-Vietz, Atelier Marion/Anny Fuchs, Elvira Bach, Patrizia Bach, Hans Baluschek, Sibylle Bergemann, Rolf von Bergmann, Benno Berneis, BLESS, Erwin Blumenfeld, Tabea Blumenschein, Marc Brandenburg, Alyssa DeLuccia, Minya Diez-Dührkoop, Ruth Döring, Mercedes Engelhardt, Hans-Peter Feldmann, Lieselotte Friedlaender, Ulrike Grossarth, George Grosz, F.C. In the 1980s, dilapidated buildings were not only backdrops for the self-designed fashion of the artistic bohemians of Prenzlauer Berg, but also liberal places to live – captured in photographs by Sibylle Bergemann, among others. The perfect combination of image and dress was achieved in a famous fashion photograph by Herbert Tobias from 1954: Surrounded by war ruins, the model Irmgard Kunde presents a magnificent evening gown by the German fashion designer Heinz Oestergaard, which is exhibited together with the photograph. Jeanne Mammen, for example, made a name for herself in the second half of the 1920s with her watercolours depicting society scenes, which illustrate how women presented themselves fashionably on the street, in cafés, or at a masked ball. Particularly in the 1920s, fashion illustrations for the rapidly growing magazine market were an important means of expression and income for women artists. Muthesius also saw herself as an ambassador with her own clothing. She rejected the constricting corset of women’s clothing and advocated fashion that followed the natural shape of the body. In 1903, Anna Muthesius, protagonist of the reform movement in Germany, published her text ‘Das Eigenkleid der Frau’ (Women’s Own Dress).

Fashion art photography